| Using Software for Un-lightable Spaces |
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| Written by Alan Blakely | |||||||
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Large interior spaces pose unique problems for architectural photographers—especially when the existing lighting is less than optimal. These days professional shooters are relying more and more on specialized shooting techniques and software to create pleasing images of large, poorly lit spaces. I was recently was hired to photograph a community recreation center with a large aquatics and pool space. The day I arrived was overcast and gray. Upon entering the swimming pool area I noticed that the primary light source was a large expanse of windows on the East and South sides of the building. The installed lighting was extremely minimal and provided little effect during daylight hours. After lining up my first shot I made an average exposure to get an idea of what I was up against. The result was pretty bleak: blown out windows, empty shadows and a flat look throughout the space. There was no possibility of shooting this later or bringing in extra lighting, so I began to plan for a multi-exposure approach with some post-production manipulation.
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