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Ride along with the MAC Groups Matt Hill on his recent 2 week, 21 state road trip.

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Chris Grey - Soft Retro Lighting

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Subject Centric Lighting PDF Print E-mail
Written by Don Giannatti   

Well, hello there. This is my first article for ProPhotoResource and I am just super happy to be among all of these incredibly wonderful photographers and artists. I hope you find my views on photography and lighting something you can use and enjoy.

I have been a generalist commercial photographer and a fashion/beauty photographer. I love portraiture and exploring the beauty that people can project. I guess I love it all. Well, almost all types of photography. I don't go underwater, and I don't fly in airplanes that have propellers. I also am not an event shooter and my brief brush with weddings was happily, well... brief.

I am also not a gear-head. I like my equipment, but I like the images produced even better. I rarely sit around discussing pixel dimensions and theoritical sharpness of f-4 when shooting a Kodiak above the 23 parralell or any of that. I like pictures. I am not really interested in what kind of camera or flash or doohickey someone used. Does the image move me or not. Does it captivate me or not.

As a way of introducing myself and my work here, I have decided to show how a very simple concept... the concept of "Subject Centric Lighting " works itself in a simple, natural light head shot. Subject Centric Lighting is what I am thinking of when starting my setup. I think subject out instead of light in. What is the result of the light, and then how do I create that result is the methodology I use on a lot of my shots.

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Don Giannatti
About the author:
Don Giannatti

Don Giannatti has been a photographer for over 40 years. From local to national clients, Don brought a personal touch and unique style to the projects he shot. Still life to architecture, lifestyle to beauty. Equally at home on location or in the studio, he works to deliver what the client wants and strives to bring a little more to the finished project.

Photography took him to create studios in New York and Chicago, with a few brief stops in LA, but eventually the love of the desert brought him home to Phoenix.
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