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Making Money in the Boudoir |
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Written by Chris Grey
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Most of us are at least familiar with the concept of Boudoir Photography, in which a client, usually female, hires a photographer to produce glamorous, sexy and, most importantly, private images for her Significant Other. This trend has been around for a long time but has exploded in popularity since digital became a driving force in photography, and for a couple of reasons. First, societal mores have been increasingly relaxed. You can blame that on current fashion, MTV, the Summer of Love or whatever you want, but the fact remains that sex and sexuality play a greater role in our lives than anytime in the past. Secondly, the aforementioned issue of privacy. With digital, the only people who might see the images are the photographer, client and recipient. The risk of a photo lab employee recognizing the teller at his bank has been eliminated.
Boudoir style photography differs from conventional photography in that it can lean more toward art and can be very effective, perhaps most effective, when some conventional “rules” are broken.
Because these jobs are contracts between people off the street and the photographer, most real boudoir images are never published. There is no release needed, because the photographer is trusted to not use the images for anything other than the client’s use. Let me stress that point – any photographer who abuses that trust and exposes his client to the public deserves to be sued, and sued big time.
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Chris Grey |
| About the author: |
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Current Author Promotion: I still have a few copies of my DVD, Digital Portrait Lighting, Level 3, left for sale at half price when you also purchase a signed copy of any of my books, including the best selling Master Lighting Guide for Portrait Photographers. Order through my website – the discount will be applied when the charge is run through the studio. Order now. This offer ends on December 1, 2008
An unusually well-rounded photographer who has mastered commercial and portrait photography and is a wonderfully skilled sculptor of light that runs a successful studio in Minneapolis. He is also the author of the finest book ever written on digital lighting and presents his classes the same way he writes - in a smooth, comfortable manner. Chris' long track record shooting client assignments both big and small, his depth of knowledge of lighting coupled with his top notch ability to relate and communicate to photographers makes him the finest digital lighting instructor in the country.
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