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David Beckstead - Visual Chaos

Image taken from the "Invaders"

Learn how to place your subjects or yourself as the photographer to create visual chaos in your art.

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Chris Grey

Chris Grey shares his secrets on shooting those Sexy and Glamorous Boudior portraits.

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Joel Grimes - Lighting Part 1

Learn how Master Photographer Joel Grimes creates his stunning and edgy portraiture.

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Lighting - Up Close and Personal PDF Print E-mail
Written by Chris Grey   

The first thing many photographers will do, when setting the key light, is place it fairly close to the camera.  Nothing wrong with that, of course; it works just fine, looks great, and is a comfortable, non-invasive, distance from the subject.

This month let’s take a look at what can happen if we place a large softbox key much closer to the subject, less than three feet in fact, and how we can utilize that pesky Inverse Square Law to get beautiful images with a unique look.

The Inverse Square Law states that light that travels twice as far from Point B to Point C than it did from Point A to Point B will be 1/4 as strong at Point C than it was at Point B.  Still with me?  This means that if Point A is 10 feet from the source and gives a light meter reading of f16 the meter reading at 20 feet from the source will be f8.  In practical terms, the Law means that light will lose its strength faster (fall off), as measured by a light meter, the closer one gets to the source.

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Chris Grey
About the author:

Current Author Promotion: I still have a few copies of my DVD, Digital Portrait Lighting, Level 3, left for sale at half price when you also purchase a signed copy of any of my books, including the best selling Master Lighting Guide for Portrait Photographers.  Order through my website – the discount will be applied when the charge is run through the studio.  Order now.  This offer ends on December 1, 2008

An unusually well-rounded photographer who has mastered commercial and portrait photography and is a wonderfully skilled sculptor of light that runs a successful studio in Minneapolis. He is also the author of the finest book ever written on digital lighting and presents his classes the same way he writes - in a smooth, comfortable manner. Chris' long track record shooting client assignments both big and small, his depth of knowledge of lighting coupled with his top notch ability to relate and communicate to photographers makes him the finest digital lighting instructor in the country.

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