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Kirk Tuck Commercial Photography Handbook PDF Print

Commercial Photography HB-Tuck1890.jpg
I am a photographer. I love light and manipulating it to create beautiful images. I’ve been fairly successful--as a photographer--not necessarily as a businessman. I’m “self-taught” (with a lot of mentors along the way) and like many of you, bought the books and went to seminars about lighting. My education lacked what I now know was/is a critically important component: I did not study enough of the business aspects of photography. If you want to make a living with your camera, then you HAVE to learn the business side. Kirk Tuck has written an outstanding primer on starting and running a photography business. Hold on to your hats though--this book is written in a no nonsense style that is brutally honest. It’s a style that I find refreshing, but it might frighten the weak of heart. However, if you are serious about making a run as a professional photographer, then Tuck’s book is a great place to start. Tuck states that he  likes lists. Here is a list of some of what I found extremely helpful in the book:

Tuck does not ignore wedding and portrait photographers; his definition of “commercial photography”’ is creating images for a profit.

There are MANY real life examples of how the “Shoot---Burn---and give a CD” business model is painfully flawed. Tuck uses real life examples to explain and reinforce the need for a licensing model beautifully and emphatically.

There are brief descriptions of what is needed--as well as the pitfalls--in many of the areas of commercial photographers. The aforementioned weak hearted might buckle here, but Tuck offers suggestions for “making it” outside of “The Markets.”

Tuck shares his experiences with marketing and explains what has worked best for him in his career: heads up--e-mail, Twittering, Facebook, etc., still don’t compete with a sit down meeting or coffee chat with your clients.

I am long past my assisting days. However, Tuck views assisting as a major win-win for both the pro and the apprentice--as long as some guidelines are followed (I agree). Tuck shares some of these guidelines.
Tuck really emphasizes the licensing model over “work-for-hire.” Oh wait, I said that already.
Tuck discusses and de-mystifies the need for contracts (with your clients as well as your models--the latter are called “model release”).

I am at a point in my career where I am looking to shift gears. My “focus” (no pun intended) is shifting to teaching photography. You can bet that I’ll be adapting many of the ideas in the Commercial Photographer’s Handbook to fit the needs of my school. 

So, you want to become a professional photographer? Put down the lighting book and study this Handbook.
 
Reviewed By: Stephen Dantzig 

Stephen Dantzig
About the author:

promo.jpgCurrent Author Promo: Portrait Lighting for Digital Photogaphers, The Basics and Beyond will hit the streets in November.
Please visit the bookstore at www.dantzigphotography.com for information on ordering signed copies of my lighting books.

Stephen Dantzig is a nationally renowned lighting expert and owner of Hawaii School of Photography. He is the author of Portrait Lighting for Digital Photographers: The Basics and Beyond, Lighting Techniques for Fashion and Glamour Photography for Film and Digital Photographers, Mastering Lighting Techniques for Outdoor and Location Digital Portrait Photography and Softbox Lighting Techniques for Professional Photographers (Amherst Media). He has written more than seventy articles and lessons on photographic lighting and ethics. He is a frequent contributor to RANGEFINDER Magazine and his lessons have appeared in Professional Photographer Magazine, PC Photo Magazine, Studio Photography and Design, ProPhoto West, ShootSmarter.com, ProPhotoResource.com, the Photoflex Web Photo School.
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