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Anatomy of a Commercial Shoot PDF Print E-mail
Written by Alan Blakely   

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Working with an advertising agency can be quite intimidating for newcomers to this business.  This month I’ll describe how I handle a typical commercial shoot involving an advertising agency and their high-end resort property client.

Often the most lucrative commercial photography assignments come through advertising agencies.  However, these assignments often require significantly more coordination and planning than the average assignment.  The ad agency acts as a “middleman” in these projects.  By the time the agency contacts me, they’ve already created an advertising plan and strategy with their client.

My first contact with the ad agency usually comes in the form of a phone call from either the creative director or one of the art directors.  They call to discuss the creative concept for the project.  One important note: this is the point where I begin keeping track of my time.  We also discuss a tentative shoot date—usually about six to eight weeks away.  Once we’ve discussed “concept” they usually hand me off to either the account executive or production manager to discuss price.

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Alan Blakely
About the author:
Current Author Promotion: Alan Blakely is the founder of The Association of Independent Architectural Photograhers an internet-based trade association with the primary purpose of helping promote the professional success of established independent architectural photographers.

Alan Blakely has been making money as a photographer since the age of 14.  First as a photojournalist for his hometown newspaper in Utah, and ultimately as a nationally recognized commercial photographer.  Alan’s interests and professional pursuits are widely varied, and have included careers as a jazz musician and advertising copywriter.  Alan holds a BA degree from Brigham Young University in Advertising Communications.

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